522. Freddy Silva on Megalithic Portals, Ancient Egypt and the Shining Ones

Freddy Silva

 [00:00:00] 

Welcome to Soul Elevation, guiding Your Ascension to New Heights. I'm your host, Kara Goodwin, and this episode was a huge treat for me and it will be for you two. I'm a huge fan of Freddie Silva's work. I've learned a lot from him about ancient sites. The Knight's Templar. Energy currents on the planet and how they work with Megaliths, ancient Egypt, and so much more.

Freddy is a wealth of information on a vast array of topics that I find captivating, and he has a real gift for sharing the information in entertaining and easy to digest ways. this episode, we talk about Megaliths ancient Egypt. Fairies, the Anki and the Shining Ones, and I talk about my own experiences that I've had as I've engaged with Freddy's work, such [00:01:00] as the activation of my pineal gland.

And I wonder if you'll notice some activation of your own pineal gland as you listen, because I felt it while I was talking to him too.

It was really an honor to connect with Freddy and to get to ask him some of the questions. His work has spurred in my own curious mind.

Freddy Silva is a bestselling author and leading researcher of ancient civilizations, restricted history, sacred sites, and their interaction with consciousness. He's published nine books in six languages and produced 16 documentaries described as perhaps the best metaphysical Kara Goodwin in the world right now.

For two decades, he's been an international keynote Kara Goodwin and appears on Gaia TV history, channel BBC, and hundreds of radio shows and podcasts. He also leads sellout tours to sacred sites worldwide.

Before we start, I'd love to invite you to explore the many offerings waiting for you@karagoodwin.com. [00:02:00] You'll find my book, your Authentic Awakening, a collection of free guided meditations and other resources to support you wherever you are on your spiritual path. You can discover upcoming summits and workshops designed to connect you with like-hearted souls and expand your consciousness in real time.

And I really appreciate your support with the show. The algorithms favor shows where people are liking, commenting, sharing, and subscribing. So please know that your active participation helps to bring high vibe content to the forefront, allowing it to affect more people. And now, enjoy this episode. 

Kara Goodwin: No, I told you we're gonna have fun. 

Freddy Silva: Oh, 

Kara Goodwin: have fun. You're gonna have fun. 

Freddy Silva: If you're not having fun, you're doing it all wrong. Everybody's so damn serious.

Really, even at dinner, it's like, have another glass of wine light and stop talking about work. And some people just can't stop it. Sell very serious and spiritual that you can have fun and be spiritual for God's [00:03:00] sake. 

Kara Goodwin: Absolutely. 

Freddy Silva: Let it go. Have some enjoy yourself. Be human for a little bit. 

Kara Goodwin: Yes. So you always bring that flavor to your work.

So I love that.

Freddy Silva: Oh, we have a lot of fun on tour. Believe me, 

Kara Goodwin: I have that soon. We get 

Freddy Silva: a lot of work done, but when the clock goes off, we like four hour dinners. I mean, nobody wants to go back to the hotel. Uh, and yeah, it's way too much fun. And there's 13,000 people on the waiting list.

Uh, to go on tour. Uh, I don't take that many people. 

Kara Goodwin: Yeah, no, you don't wanna take 13,000 people. 

Freddy Silva: No, I know people who've done close to that and they're very big names and they should be ashamed of themselves. And one of 'em got kicked out of Egypt 'cause of that. Uh Oh, 

Kara Goodwin: wow. 

Freddy Silva: Yeah. Yeah, he got for all the right reasons, got kicked out of the country for abusing the sites and treating it like, you know, a cult.

Uh Oh, wow. Yeah. You just don't do that kind of thing. There's no, you gotta have respect for what you're doing. 

Kara Goodwin: Oh, absolutely. How many go on your tours? 

Freddy Silva: Uh, between 16 and 25. Depending on the [00:04:00] country and depending on the size of bus that I need to, uh, take them to the places that I want to go to. 

Kara Goodwin: So how do you like it?

So it just like getting on the wait list, you'll just never really be able to go? 

Freddy Silva: We, we started, we started the lottery, which is a lot more fair and it means it don't get so much hate mail. It's like, 

Kara Goodwin: okay, 

Freddy Silva: five years and yeah, I've known you. I said, yeah, but it's not So do other people. I mean, I can't make an exception for everybody, otherwise there'll still be a thousand people on a waiting list.

So it's just luck. But somehow magic just happens and before you know it, the right people are on the right tour for the right. 

Kara Goodwin: Right. 

Freddy Silva: So I don't 

Kara Goodwin: question 

Freddy Silva: it. So 

Kara Goodwin: I need to take up wizardry is what I hear. 

Freddy Silva: Ah, I think people send me, I'm not kidding you. Underwear, clean underwear. Oh my 

Kara Goodwin: God. 

Freddy Silva: Oh yeah. Uh, I am single, so that's fine.

It's a detectable. Uh, bottles are very expensive scotch and I wish I knew this trick. Years ago because I just mentioned it as a joke and on stage about 16-year-old Lugged Veel and [00:05:00] is a favorite scotch of serious researchers. And before, you know, the bottle arriving in my door, it's like, wow. And I said, well, I'm not prone to bribery, but you might find yourself near the top of the list to go to.

Um, and, uh, oh, other things I've been offered, like very good. Brandy from Armenia, chocolates from Geneva. Um, she gets on the tour quite a lot. Yeah, it's amazing what people will send me. It's, uh, now that I think about it, it's, yeah, someone bought me an iPhone, which is $1,800 iPhone. Um, oh my gosh. Which is great because I hardly ever use a phone and I needed one.

Yeah. But yeah, but they're still, uh, you have to be fair to everybody. So, uh, yeah, I did tell people, yeah, you can send me gift if you want, but you know, it's, you're still up against hundreds and hundreds of people, so it happens in its right time. Don't worry. 

Kara Goodwin: Yeah. So 

Freddy Silva: just, just buy me dinner at a five star restaurant, it'll be fine.

Kara Goodwin: Well, have you considered cloning yourself? I mean, really at this point it's kind of selfish. God. [00:06:00] Oh God, be 

Freddy Silva: horrible. Be like being a, a Gemini. Like 

Kara Goodwin: I'm a Gemini. How dare you? 

Freddy Silva: You're beside yourself. Yeah, I'm, I'm one day short of Gemini and, uh, are you a Taurus? Yeah, Taurus and Gemini. They're great for fun, but you can't, you can't have a relationship because it just doesn't work either.

Kara Goodwin: Are you the May 20th. 

Freddy Silva: May the 20th. Yeah. 

Kara Goodwin: Okay. My daughter's 

the 

Freddy Silva: 21st. The talk of this person of the you 21st. 

Kara Goodwin: My, my, my daughter is the 21st. 

Freddy Silva: Oh really? Wow. That was my former wife's birthday. That's really, 

Kara Goodwin: oh, you 

Freddy Silva: guys were And my former girlfriend. And my former fiance as well. Yeah. 

Kara Goodwin: Oh, the same person? 

Freddy Silva: Yeah.

I'm very attracted to because I like their lightness. You see, I like hanging out with them. But for relationship, it's deadly. It's one of the most deadliest combinations on the, uh, Zodiac. 

Kara Goodwin: Wait. A Taurus and a Gemini? 

Freddy Silva: Oh, absolutely. The two are just loggerheads in terms of relationships, but in terms of friendships, uh, great fun.

Kara Goodwin: Well, my husband's a [00:07:00] 

Freddy Silva: Taurus. You are very lucky. I dunno how you're doing 

Kara Goodwin: it. We, we are beating the odds. We've been together, we've been married for, I think 21 years. 21 or 22. 

Freddy Silva: Congratulations. 

Kara Goodwin: Yeah. I didn't know. I didn't know. That wasn't a good match. 

Freddy Silva: When's your birthday? 

Kara Goodwin: June 9th. 

Freddy Silva: Ah, you're more towards the Cancerian end.

Kara Goodwin: Yeah. 

Freddy Silva: Okay. That works a little bit better. 

Kara Goodwin: And he's May 3rd, so he's more on that side too. So 

Freddy Silva: very fixed. Very, 

Kara Goodwin: yeah. And then we've got our daughter literally in between our birthdays. 

Freddy Silva: Oh, well, congratulations. 

Kara Goodwin: Yeah. 

Freddy Silva: The trend. It may have matching rising signs or something. 

Kara Goodwin: Maybe it's something like that.

Funny. Yeah, funny. I don't know enough about, that's pretty funny. Yeah, that's really funny. And I hear such, I hear things about Geminis, about, you know, like. But we're the, the bad sign or something. I don't know, maybe they call everybody the bad sign, but I'm like, Hey, 

Freddy Silva: it's just a tool. I mean, it's, you know, there's a light and dark side to everything.

It depends what you [00:08:00] are interacting with. No, uh, I had a friend of mine who's a great astrologer and she said, well, they're kinda like the liars of the universe. They don't even know they're lying. And, but the only people that get along with 'em are Geminis because, you know, they're just basically having multiple conversations and they get it.

Uh, but if you hang out with earth signs, it is absolutely disastrous most of the time. Uh, and I thought, yeah, but you know what? There's the Gemini women and the Gemini men and the two are not the same. By the way. They're very, very different to each other. I can't stand a ge Gemini man. I have some serious issues with him.

Because it's like two heads butting against each other. It's not about right or wrong, it's chemistry. But with women, I get along with 'em fine. I just don't want to date them ever again, destroy my life. Um, and I didn't realize it, it's just a, it's just a bad match. But in terms of chemistry, in terms of.

Friendship, having fun, being social. Oh, oh God, absolutely. Because I need that lightness in my life. I mean, I really look for that. So yeah, it's all about [00:09:00] chemistry. It's what it comes down to. Yeah. El cake, and you put in the wrong type of yeast or the wrong type of flour, it's not gonna work. But there's nothing wrong with the flour.

So that's the way I see it. It's um, you know, it's just mixing and matching until the right chemistry works out. 

Kara Goodwin: Yeah. Well that's very diplomatic. I feel better. Thank you. 

Freddy Silva: But it's also true. It's a honest observation. It really is. But there are some very funny jokes about all the, all the signs and yeah, they do make a lot of sense, especially the one about how many members of your sons does it take the change of light bulb?

But you should look that up. It's very, it's so close, so close to the truth as a generalization. And it is funny. 

Kara Goodwin: Oh, I'm gonna look that up. 

Freddy Silva: You know, you don't take yourself seriously. I mean, I find people who. A lot of Tauruses who are early made to be, you know, really hard work, they're very serious, they're very grounded.

You can't win an argument with 'em 'cause they're removable once they've made up their mind. But I've got the Gemini influence so I can be a bit more flowy, you see? Mm. So the two, even the two of us together, it's like, uh, can't go. I need to get [00:10:00] him to move over here because he's fixed and he's going in the wrong direction.

And there's nothing you can do to move them once they've set their minds, which is great if that's what you want to do, unless you're wrong, in which case you're gonna go down the cliff. But, uh, yeah. So it depends which side of the spectrum you are on. Like if you are a April Taurus, that's where most dictators come from.

I mean, 

Kara Goodwin: oh, of course. 

Freddy Silva: April 21st. Oh, 21st of April. Hitler the Queen, um, the Queen of England, uh, who is, I never liked her very much. Uh, yeah, most dictators and people with dictatorial uh, tendencies tend be around late April. It's like Aries and Tories together. You could never win an argument with any of these people.

You just say they're right. Just let 'em get on with it. 

Kara Goodwin: Yeah. 

Freddy Silva: Never get a, a car mechanic that's born late April. You'll never, uh, get an argument going away with the bill. 

Kara Goodwin: That seems, that seems very suspicious. I feel like there's life experience that backs [00:11:00] up that, that advice. It's like, no, really. I, I think that 

Freddy Silva: this, all these people who are great astrologers and I just sat there, listened to this, I thought.

You know what, as a generalization actually makes a lot of sense. 

Kara Goodwin: Yeah. 

Freddy Silva: But it's very, it's much more subtle than that, obviously. 

Kara Goodwin: Yeah. And we all over, I guess there, there are things to overcome with all of our, with every sign too, you know, that's kind of the jean keys thing with the, the cities and the, you know, where, where we've got the gift, we've got the shadow and we've got the highest expression.

And so hopefully we can all use our signs and find the highest expression. And 

Freddy Silva: it's a tool, it's like a hammer. You can use the hammer to put up a picture or bash someone's head. And it depends how you use the tool. You can go both ways. The trick is to walk the line in between, which is really, really hard work.

Yeah. Uh, on any given day. So if you can do that, you're doing really well. Yeah. And that, that's the aim of the, uh, enlightened individual is to dip either side [00:12:00] when you need it, but, you know, trying to walk the fine line in between, uh, every day. 

Kara Goodwin: Yeah. So 

Freddy Silva: bloody hard work. 

Kara Goodwin: Right? Right. Absolutely. 

Freddy Silva: But we started, 

Kara Goodwin: well, yeah.

I am gonna use this. I'm like, we hadn't really started, but I'm, we, we are starting, but I wanna take a, an opportunity to properly welcome you, Freddy. Thank you so much for coming on. I've really been looking forward to this. I'm having a blast already. I can't wait to talk about Megaliths and Egypt and to learn from you.

We're gonna have a little problem. I'm mean, I have to learn to tap dance right now. So, um, I, I just love your work and I, I got so much out of your book portals this summer that I, I just devoured. Um, you have a lot of other books. That's the one that I was really drawn to and I've watched hours of your content on Gaia and listened to so many podcast interviews with you.

I'm just really drawn to your work and your true [00:13:00] mystic and drawn to the mysteries of history and sacred sites and consciousness. So I'd love to just start by talking about how you were drawn to the work that you're doing today. 

Freddy Silva: I believe that as soul we come here with, uh, something to do. And if you're really lucky, uh, you find out pretty early in your life, uh, what your purpose in life is.

Uh, I was not one of those people, I think, uh. I was, I think I wait till the last 35 until the penny finally dropped that I was meant to be doing something other than what the job I was loathing, but making a lot of money doing. And, uh, you know, I took a big leap of faith and went on to do ancient, uh, civilizations and, uh, haven't stopped since, uh, 30 years later.

Uh, but I was drawing pyramids when I was three anyway, so there was that inkling that something was going on. I didn't get along with my, uh, peers. Never really have, I feel like I'm always out of time and I, I, I really don't like much of the modern world. I want to live [00:14:00] romantically five and a half thousand years ago, or 10,000 years ago, which is my favorite period of, uh, in history when I believe there was a more of a golden age going, uh, among humanity.

Even though we call ourselves hunter gathers, there's something much more going on. So that's how I got involved. Uh, pure curiosity. Uh, and also I began to work on the crop circle research, uh, back in the nineties to try to uncover that mystery and found out that it has nothing to do with people. Uh, there was a huge cover up by various governments around the world, which is usually a sign that something is worth investigating, and I'm not even a conspiracy theorist.

So, uh, and luckily, my, my first book right off the bat went on to become an international bestseller. So it gave me the courage to sort of do what I'm doing right now because not everybody gets help one day and says. I'm gonna give up a very high paying career to go and investigate large upright rocks because your wife just walks out, which you did anyway.

Um, and, uh, your friends say, bye-bye. You've got, you become a [00:15:00] complete solid nutter. Uh, but no, I see that the, the work that I do has had an impact, a positive impact on, uh, a lot of people around the world. So for me, that's been the be the best part of the work is to see that something that I'm passionate about, it's called a passion in other people as well, and it's made their lives a little bit better.

Kara Goodwin: Wow. Well, you know, you talk about the, the upright standing stones, which another name for that would be a megalith, and you have this amazing documentary out on Gaia. You've got your book portals, which talks a lot about these megaliths as well. Um, why are these, why, why are you drawn to these stones so much?

Why are people drawn to these stones so much, and, and why have they been so important throughout time? 

Freddy Silva: You know, I've taken people to large standing rocks all around the world. They think this is gonna be a really boring day of looking at rocks, and you can't get 'em away. Once you're there, you realize they all have a personality.

Uh, they all have different shapes [00:16:00] and, um, they all draw you in. They suck you right in. It's as though you are dealing with a living organism. And it was very hard to understand that. Uh, for me, they're like an extended family. Uh, they never let me down and I never take them, uh, you know, uh, for granted. Uh, that's one very important thing.

And then later on I found some research, some science behind this whole matter of why did the stones feel like they're alive as though you can communicate with them. And it turns out, when you measure these things, uh, they really are alive. I mean, they, uh, attract the local electromagnetic field every single day.

So it starts, it starts at dawn, uh, where the energy rises and gets attracted to the, uh. Whether it's a me, a stone passage or a stone circle, the shape defines it the way that the energy is drawn and it's attracted to the stone, and then it dissipates every 78 minutes. So if you're in the wrong place at the wrong time and you touch one of these rocks, you'll get an electric shock for sure.

Uh, and I'm one of those curious people that is, that has happened to [00:17:00] Shark 

Kara Goodwin: spoken. And were, were you expecting, I've heard you talk about this. Were you expecting it? I 

Freddy Silva: was, uh, because I read about dowsers having the same experience and sometimes they get sent airborne. Uh, oh my gosh. The rock hasn't been grounded for a long time.

You will get one hell of a shark and you won't feel your forearm for about 20 minutes. So, but because I like to talk and write from a personal experience, not just because I'm an art, um, chair researcher. I have to go and touch it, you know, and we're talking, laughing about this earlier on, about star signs.

I'm a tour, I have to touch it, lick it, eat it, smell it. That's just the way I'm, and I know it's gonna hurt, but yeah. And it gives you one hell of a belt and, and you just can't feel your arm. So you have to douse with your other hand now, uh, until this one comes back to normal. And there's one case where I literally just almost lost consciousness for 24 hours.

Uh, I was glued to the stone. My God, I, I can still remember it. Uh, I walked up there with a friend of mine, I was in Wales, and I said, that stone, it hasn't spoken to anybody for a long time. [00:18:00] And, uh, so my friend said, what do you mean it, it has a lot of gossip to tell, to talk to. I remember going up to it like this, and I remember the stone inside my head saying, oh, finally someone to talk to.

And it's like this invisible hand just grabbed my arm and. Attached it to the rock. And I just downloaded thousands of years of observations of things that happened around the stone. It was like watching a movie reel in very, very fast motion. He pulls me away, puts me in the car, puts me, uh, uh, uh, takes me home.

I went to bed and I woke up 24 hours later, completely gaga, came downstairs. I couldn't stop speed talking. I could literally describe every frame of this film of images that happened around the stone. So the stones are chosen for their pH electric qualities, which means they remember everything. They're like stone age computers.

Uh, in that sense, they behave the same way as a computer does with all the silica. You send an electrical signal to the screen. The screen [00:19:00] gives you zoom or an app, or you can make a phone call, or you can, uh, write a letter. It's the same thing with the stones, the, the quartz and the elements, mineral elements and the stones create that ability.

For the stones to remember things. So if any event happens within the vicinity of the stone, like a wedding, a funeral, um, a, a birth, uh, someone doing meditation, uh, it remembers everything. And you're the first person to ground this information and the information is transmitted to you, which is why people, when they stand with their backs to the stones in stone circles, and you think these people are smoking something very weird.

No, they're literally downloading, uh, information from the stone, uh, because the information goes down your spine, which is where all the electrical current happens to be in your body. Uh, that moves energy from A to B. So when you stand with your back to the stone and you put yourself in a certain state of grace, you can download the information in the stones.

And sometimes the foundation for some of the ideas for the books that I've written have come from [00:20:00] that experience of just standing there and going, well, what's this all about? I don't understand how this works. How can I communicate what this message is all about in this stone circle or this community, or this culture?

And I just go away with the fairies, just expect nothing. Watch the birds going. Before you know it, there's a little image that comes into my head and I go, that's interesting. How can we prove this? And boom, years of research in libraries and so forth. And it's there. And that, that comes from talking to a large upright rock.

Uh, which is why I call these things living beings because they are, they have a personality. Each one has a different purpose. So when I wanted sort of, uh, put this out, uh, to the general public, uh, sort of spent three years just filming, uh, mega lifts around the, uh, Europe. And there are three major areas which have bigger the biggest concentration.

So Central Portugal, Carac in France, and Brittany, uh, in France, and also Northern Scotland of all places. And they all share the same, uh, methodology, the [00:21:00] same physionomy, the same shakes of stones, the same cultures, by the way. And they all came originally from Armenia. About 6,000 BC I didn't see that one coming at all.

So a lot of the language patterns, uh, fingerprint is still there. Um, there's the same use of the same minerals, the same use of bedrock, the same use of gravitational forces 'cause the gravity in these, uh, areas where the mega lifts tend to con. Happens to be either weaker or slightly stronger. That doesn't mean that your car's gonna jump off a bridge and stay in the air.

It just means that the gravity field is slightly different, which allows it to interact with your human consciousness. That's why these places have been very big in terms of, uh, places of veneration for thousands of years. 'cause our ancestors could sense this, and then they figured we in the 21st century would lose that connection.

So let's mark the places where the energy is particularly strong, which allows anybody who doesn't believe in their ability to communicate with the [00:22:00] other world, or the management as I call it. Um, you can come here and the stones will attract you because they are interesting to look at. And sometimes they're about, you know, uh, 45 feet tall and that will get your attention.

And then if they stand here, they'll be influenced by the energy field that's always around. The stones are actually slightly moving all day long. They're in a state of vibration all day long. So you get that sense of, uh, palpitation in the area. And if you just allow yourself to communicate, uh, and just be at one with the spirit of place or nature, you will start receiving information.

Uh, that's why these places are still very well renowned. There's places where you go to, to heal, uh, to facilitate childbirth, and also for animals, uh, they're attracted to these locations because they know there's something here that's gonna assist them to feel better if they're feeling out of sorts. So it's a, it's a, it's a very old technology.

Um, and that's why I'm very drawn to these, uh, stones because, uh, like I said, science now proves that, uh, they are actually living beings. 

Kara Goodwin: Oh man, that's [00:23:00] amazing. You know, when you were talking about standing against them with the back, with their people having their backs against them, it made me think that just a few days ago I was walking in the woods and I, there's a, a special tree that I'm always really drawn to and, but normally I put my hands on it and just kind of give thanks and, and commune and exchange.

And, but this time I, uh, put my back against it and I just kind of, uh, you know, absorbed and, and transmitted and so forth. But it was just interesting. I even forgot I did that until you said, and so I'm like, oh, maybe I was tapping into something like that, or maybe I picked it up on megaliths and I, and I, in my subconscious it was like, well try it with this tree.

Freddy Silva: Yeah, the tree has a consciousness as well. I mean, you can measure it. And it has been measured. There's all these ripples that come out from the trunk, uh, and it's actually, it's actually like a tree, behaves like a pebble in a pond, and you can see the ripples coming [00:24:00] out for a certain distance. And I do this experiment with people when I take 'em on tour.

So, you know, just to be one with nature, just listen to the landscape for a, for a week just to get away from the noise. There's the signal to noise ratio is so low these days. Um, you'd be amazed how you can get away for a week and not think about social media and all the news and all the stuff that's going on.

And how connected you, you become. And I said, well, one of the things you should do, let's go and stand next to a tree. And you measure the energy field around the tree. 'cause it has its own aura and it's measurable. I said, just stand here and give a sort of appreciation to the tree, a foot of love, or imagine a bouquet of flowers.

Send that to the tree. Uh, the tree will perceive it, and they'll stand there for about 10 seconds and I'll walk 50 feet behind them and start measuring the energy field. It's now quadrupled to what it was. Wow. So in 10 seconds, the tree has reacted to the positive thoughts of people just standing around it.

And I said, it's a bit like you calling up someone or, uh, sending a thought to [00:25:00] someone that you love and, uh, wishing them well. Before you know it, they're on the phone. Saying, Hey, I just, I was just thinking about you. Yeah. They picked it up. Uh, so that energy is very, very, um, addictive and also very transmissive when you work with living organisms, no matter what they are, whether it's a tree, water as well, uh, or, or rocks.

Kara Goodwin: Yeah. Or. Well, one thing that you talked about just a few moments ago was the origins of the three locations, the, the origins of the civilizations that, that, um, created the megaliths or, or placed the megaliths. I remember in the documentary. You, I think you were in Scotland and you started talking about Sardinia and I was wanted and I I'm so excited to get the opportunity to com.

To clarify, are you talking about the island, the, the Italian island, Sardinia, or is there another Sardinia near, like in Scotland? 

Freddy Silva: Oh, no, no. Uh, because nobody knows where the stuff from Scotland came from. Uh, and I'm talking about archeologists now, and, uh, and they hate my [00:26:00] guts and that's fine. Uh, just like anybody that disproves what they've done, which is not easy to do because half of what they've done is completely, uh, disprovable.

Uh, they're following a, a line of, uh, of thought, uh, which has no bearing on what's actually going on, and my job is to try and bring new ideas and new points of view to. Understand why we built these things. Uh, from talking to other people that we usually don't talk to, like, uh, linguistics people or, uh, people who do folklore or mythology or even talking to the locals.

Uh, you bring in more information and the more information you have, the more likely you are to find out where the origin of things comes from. So we had these towers, we had these stone circles. It's the earliest megalithic stuff in Britain is actually on the islands of Scotland, which I never would've imagined.

I thought that. 

Kara Goodwin: And sometimes they're underwater, right? 

Freddy Silva: Depending on the type. And 

they 

Kara Goodwin: also 

Freddy Silva: underwater because of sea level rise in the last 4, 5, 4 and a half thousand years. 

Kara Goodwin: That's so curious. And so 

Freddy Silva: when I was in Sardinia, uh, [00:27:00] with Virginia Meredith, we were just talking about the towers, the Raji, they don't know what they call 'em, the Raji either.

It turns out it's an Armenian phrase and it describes the people who were actually building the stuff up in Scotland. And when I looked at the construction method, I thought. Wait a minute, we've got the same towers in Scotland. There must be a migration. Well, the next part of the research is look at the DNA, look at the migration pattern and it flows.

Which begs the question, where did the Sardinian culture come from? And you go back to Malta, you wrap around northern Greece, Bulgaria go around Ukraine, and you end up in Armenia. And many of the things that we find in Scotland and Sardinia are actually Armenian Highlands, hardly anyone knows about this stuff.

And they're over 20,000 years old. So you see how human nature and evolution, because of again, climate change in 10,000 BC and 6,000 BC forces people to relocate to find places where you can grow crops. Uh, it all came down to climate. So they moved to Western Europe [00:28:00] and they brought their culture with them, and their language fingerprint remains to this very day.

So most of the places in Scotland and Sardinia, if you look at them in the Armenian, uh, old Armenian dictionary, you can actually break down the names of the places and what they mean and they mean exactly what they were used for. That's the brilliance of it. So like, um. Let's see. There's a stone circle up in the Isle of Lewis in Scotland called Kin hvi.

Nobody knows why it's called Kin Hvi. Well, that breaks down into Armenian as the place of seeing, and the local folklore from the Vikings talks about how this is a place where wisdom keepers used to voyage and to the distant journey. Well, that's a place of seeing, it's a, it's an electromagnetic environment, a portal that allows you to communicate with the management.

So the name of the site in Armenian tells you exactly what the site does. Uh, and again, the, the book just wrote itself after that. So yeah, it's, it's a wonderful to see that, you know, we have been moving across [00:29:00] continents, uh, much more easy than we're giving credit for. 

Kara Goodwin: That is so fascinating. And you know, I mean Sardinia is not very close to Scotland in terms of like geography.

If you think of migration, give it time. What's that? 

Freddy Silva: Give it time. 

Kara Goodwin: Yeah. Well, 

Freddy Silva: and they have their own, it's just ing main culture too. I mean, before the sea level rose in the Mediterranean, it used to be connected to Corsica, which is another big island, 

Kara Goodwin: beautiful 

Freddy Silva: from the big land mass. And you talk to the old people in Sardinia, in the local Vena and just hang out and chitchat and they said, oh yeah, my grandparents knew about a pyramid that's just down here.

And you drive there and there's a pyramid in Sardinia and they've tried very well to hide it. You can't, it's an obvious pyramid. It's, it, it's, it's, you go up to it and you look at the stones. There's stones there that have all blocked up and they're covered with dirt now, and they're even planted a forest around it to make it go away.

But of course it doesn't. And it took about the giant people. Uh, we found giants bones there, people who were eight and a half feet tall. Uh, the kids used to play with them when they're [00:30:00] going around sheep herding. Uh, and they said, yeah, know this would be an, an outpost of Atlantis. Uh, at the very end of Atlantis, this is one of the outposts of the Atlantian people.

Uh, and there was a whole city down there, which is now mostly underwater. About 10,000 people lived there. And the Egyptians actually described that as well. They're talking about the sea peoples. Uh, so, uh, yeah, it's, uh, it's, it's very funny that, uh, you know, if you ask the locals and talk about the local folklore, it's all there.

It's very, very interesting. 

Kara Goodwin: That is fascinating.

Um, well, with Sardinia it's, it, I am so fascinated to learn what you're talking about because I went there years ago before my spiritual awakening and I was mesmerized. I was, and I remember when we were about to leave, I said to my husband, I'm only leaving if you promise I can come back. And we've done a lot of traveling, but there was really something special about Sardinia.

Freddy Silva: Yeah. 

Kara Goodwin: It, it was [00:31:00] gorgeous. It was beautiful. It was really for us, like a beach vacation. So we didn't really even do a lot of exploring. And again, like I wasn't seeking like spiritual things at a conscious level anyway, but I remember being, I like mourned the fact that I had to leave and I, and, and we went to Corsica too, but I didn't feel it with Corsica.

That was a different trip, but I was like, yeah, it's, it, I, I thought, oh, it's just north of Sardinia. It's gonna be the same. I'm gonna have that feeling again. And I was like. It's beautiful, but it's not the same. 

Freddy Silva: It's very masculine, cor, it is very different. Uh, it's almost like you go between the masculine, the feminine, and Sardinia.

Uh, I got that distinct feeling as well. It's a, it's, it was connected. Mm-hmm. Uh, physically at one point, but the two cultures, it's almost like night and day. Uh, yeah. I, I need to go back and finish the job as well because I just sort of scratched the surface when I was there. And there's so much more. I mean, there's six and half thousand of these towers, which you can barely squeeze more than five people in there comfortably.

Uh, which, and they [00:32:00] call 'em, you know, the, the neuralgic, uh, the neurologic or the, uh, the towers. Oh, yeah. There're places where that these two designed to protect people when the pirates came. Yeah. But you can't put more than five people comfortably in many of these buildings. There's no water, no source of water.

There's no toilet facilities, which means I could just stand out there with a spear at the front door and wait a week until they, they give up because they basically starve themselves to death. Uh, and you just killed them. Uh, so it doesn't make any sense. But in terms of observational towers with the little, uh, cavity above the doorway to allow a, a light beam to come in from a star or a constellation, oh, I began to fill in the gap very, uh, easily.

And when I began to find out the connections between the, the gods, uh, real people, by the way, uh, with the gods of Sardinia, Scotland, and also Armenia, it turns out there were great astronomer priests and they're all connected intimately with Orion. And I thought, well, let's, let's start with Orion as a source point.

And once you got that [00:33:00] fixed on the horizon from all the, uh, Raji that I was looking at, it turns out you're giving a lot of dates that are along exactly the same perimeter of between 6,000 and 8,000 bc, which is when they moved there. And it's all associated with the first time that a horizon is seen on the horizon.

So, um, there is a, an astronomical connection to all of these towers. Uh, which completely blindsided me and it changed the whole course of my understanding. But, uh, and the giants, graves, the giant people are not buried there at all. They're buried in, uh, normal graves like you and me would be. Uh, and again, they, they used to collect energy.

They had these four chords, which are designed like a, a, um, a crescent moon, just like in Scotland. Same thing. And, uh, they're gathering something. You feel like they're gathering something. And, uh, there's a small hole in front of the Main Rock, which is a big portal stone. And you think, well. If you're gonna bury something in there and protect the body from being eaten by rats and other vermin, you're not gonna put a hole in the, [00:34:00] in the doorway to another vermin to come in and eat the body.

It doesn't make any sense, unless it's a place that corrals energy, that the currents that flow through the land and it goes into the site and it charges up the land. Well, we know that happens because we can measure the energy of these monuments, uh, all around the world. We have the technology to do that now, and it turns out that's exactly what they're doing.

They're gathering up the energy, storing it, and then releasing it into the land, which is why agriculture does so well around these sites. So again, it's an old technology and it has nothing to do with dead people. 

Kara Goodwin: Yeah. Wow. You know, as you've been talking as well, it reminds me that when I watch your stuff, my third eye goes crazy.

I forgot to mention that. I think I mentioned it in the email when I invited you on, but it was like, oh yeah, I forgot that this happens when I, when I watch your stuff, it, you're just so full of this. Energy that at least for me, there's like a PEI electric response or something that happens in my pineal gland because it like starts [00:35:00] dancing or something.

So you're like carrying and transmitting this energy that you've interacted with. It's such a blessing. Yeah. So if, 

Freddy Silva: and, and if you really start seeing fairies there, uh, the fair folk as they call them, you, you're not making it up. It's actually the energy field that's stirring up the, uh, its allies. The frequencies is ally with your brainwave patterns and it creates a chemical reaction.

So, uh, you start, uh, creating the right chemical reaction to allow it to have heightened state of consciousness or vivid imagery. It is like being on drugs, but you're in control. Uh, it's a natural drug. Um, and so you start going into that realm, not quite physical and not quite invisible. You're in between worlds.

Uh, that's why they're called portals because you are in between two places, uh, which are defined that either run by the physical or another level of reality that these are the intercommunication points between, uh, these realities. And that's why we go there, is to interact with them. That's why people have always done this [00:36:00] when they don't have belief in their own ability to do it.

I mean, people who practice crea yoga know what I'm talking about. Uh, you can manipulate the energy field of your own body. Takes you about six months to practice and then you can become your own temple and you can go anywhere you like, uh, and also go within, well, when you forget that they used to build, uh, these places that I called self-help centers, it was kind of a, an insurance policy for the time when people in the 21st century that would lose the plot had no idea what the hell they're doing and the planet they're living on.

And we don't, we, we are losing the plot. Very rapidly, uh, we'd know where to go. And you go into these locations and if the two frequencies match between the temple and the person, then magic really happens. And that's why we like to travel to these places because I, I, in all the years I've been taking people to the sacred sites, I've never met anyone who's come out angry.

Mm. They might come out deflated because the energy's been sucked out of it. 'cause I did tell people, uh, and it does develop something within yourself. By the way, these places do [00:37:00] raise your innate abilities that you have. Um, I can see through people very easily. Right now. I can judge, uh, energy. I know where the energy is, I know where it's going.

And people said this to me 30 years ago, I thought they were smoking something. Now it's true. I can do it. Anybody can do it. And I'll watch people going into a, an Egyptian temple and I said, are you sure you want to do this? Said, well, I always wanted to do this. I paid a lot of money. I want to get the experience.

I said, yeah, but if you come here ex expecting it, it's not gonna happen. The expectancy will come from your ego. You want to be validated, let it go. Sometimes nothing happens and sometimes weird stuff happens. But I guarantee you, you are gonna have a difficult time in this one because you are 88 FM and the template at 85 fm and the two are not gonna connect.

And he'll come out there feeling completely disoriented, not feeling well, sits down, has a long night's sleep, and I thought today you're gonna love this place. Why? I'm not gonna say anything. I'm not gonna [00:38:00] prejudice your experience. You're crying guy's. Crying. A man, a man crying in a temple completely gets it and then he can't get enough.

Yeah. Because an interaction has happened and you've now become more aware of your place in the big scheme of things, and now it's like a drug. You want to go onto the next place and develop that ability a little bit more and be, by the time you've done this for 10 days, you get back into the airport and you feel the noise coming towards you.

Mm-hmm. And the fact that you've been able to tune it out for 10 days and you feel much better. You feel that you are in control. Well, yes. That's the whole point for the temple culture around the world, is to give you back the control that you think you never had in the first place. But it's an illusion.

You had it there all along. You just got. Twisted by peers and, and, uh, people who are telling you, oh, no, stop watching the fairies. They're not real. Yes, they are. 

Kara Goodwin: Well, fairies was the next thing I had written down as you were ah, as you were talking, and then you, you start talking about the fairies. So I could, you know, I could 

Freddy Silva: sense the next [00:39:00] question.

Kara Goodwin: I, I know you're just, just take it from here, Freddy. I'm gonna just sit back. Um, but that's 

Freddy Silva: pretty funny. 

Kara Goodwin: I literally, it's, it was Sardinia and then it was fairies and, um, 

Freddy Silva: the fair folk. 

Kara Goodwin: Yes. So I do like, talk a little bit more about that because a lot of people do assume that that's legend or, or folklore.

And I know that you've had your, you've alluded to this already, but that they're very real. They're connected to these, these sites. What would you like to share about that? 

Freddy Silva: Oh God. Um, I, when I was, uh, just learning this stuff about 30 years ago, and I had some very good teachers, by the way, I'm very lucky.

Um, they would, uh, let you fall flat on your face and make a complete ass of yourself. Then I'd say, well, I think you were wanting that to happen because you want to feel like you're special. I be honest with yourself. Okay, well, yeah, I want to feel a bit special. Well let it go. Expect nothing. Go in with a question and see where it [00:40:00] goes.

And then the real stuff starts happening. And yes, uh, I've had my own experiences of being levitated in the, in the crop circle. I wasn't expecting that. I've seen people coming outta the stones in the king's chamber of the gray pyramid, and I have witnesses to prove this, uh, because four of us saw the same thing in total darkness, and I've seen them again.

Uh, one of my most special ones though, was when I was learning about the subtlety of space and we're in Ireland, which of course is famous for the fairies, uh, little green people. And, um, I didn't go there with that intention at all. I just wanted to. See how I can feel space a little bit better, tune into the environment.

And we went to a cemetery, uh, a Catholic cemetery, which had been superimposed on top of an old sacred site. Uh, so the original site has been kind of shut down a little bit because it putting physical dead people in there, that's not what the site is about. So we went there to clear up the energy and move some people back to the other world because they're still stuck there.

They don't realize they're actually dead. Uh, so we're helping them. And, uh, at the very [00:41:00] end, about 20 minutes later, and there's a group of about 16 people and, um, I'm just kind of coming back into the real world and I thought, well, that was a, a nice place of work. I could sense this, I could sense that. And then I thought, what the hell?

Someone's hanging onto my arm and I picked up my arm, my hand like this. And there's a little. Um, fairy folk. I call him onion head because it looks like a guy with an onion head. Or maybe it's an itch. I dunno. Uh, there wasn't any appendage coming out. I think it's a, and it was an onion head about this big, uh, with uh, uh, a big fat belly with spined little arms and legs.

And I pulled him up, he's holding onto my finger and he starts complaining to me about, you know, uh, really shouting at me. I thought I better put him down. And, uh, and uh, uh, Isabelle, who's a great channeler, a great seer, she's next to me laughing ahead off, and the rest of the group is saying, what the hell are you looking at?

I said, well, can't you see this guy? Apparently I'm the only one along with a channel that can see this [00:42:00] person in physical form. And it was one of the fair people that was actually, whose memory's still in the mound. And he was just appreciated of the fact that we are there paying attention and bringing in some energy, clearing out some dead stuff.

And he came out to say hello. He just took a liking to me and I liked him, and I thought, I'm not picking you up again. I've already got an earful. Uh, and he kept holding my finger all the way up to the edge of the energy field and then poof, disappears. Yeah. Because he can't cross beyond that perimeter because he's in this other world where in the physical world and in the mound we're in between.

Uh, and that taught me a lot about, uh, what was going on. So I did some research and I found that when the, uh, Catholic church finally wiped out all remains of paganism in Europe, they got to Ireland. And they found out that the locals were still worshiping the fair folk, which was a real race of people that originally came from Armenia.

Uh, they used to be called the Lords of Annu, or the Anki, or the Anga, as they call them in India. The people of the [00:43:00] serpent has nothing to do with Reptilians, by the way. So the Nu when they moved over into Ukraine and the area around the Black Sea, they became, uh, the two of the, sorry, the two dannu. Uh, the people of the sky, God, ANU, and, uh, they formed part of the culture called the Ian culture, which is a huge culture that was very prominent from Siberia all the way around the Black Sea to Greece and eventually became the Greek culture and so forth.

And eventually they moved up to, uh, the northern climate of Denmark. Uh, they formed the Scandinavian bloodline and eventually they came round into Scotland and they also formed a divine bloodline of Ireland. Who were the two. And these were called the fair folk because they were very tall. Uh, they were very light skin, which is why they're called fair folk.

And they also were blonde or redheaded with green eyes or blue eyes, very unusual in that part of the world at the time. And, uh, so the, uh, the, the, uh, the fairness came from the fact that they were very fair looking [00:44:00] compared to the indigenous Irish people. And because they had a certain demeanor about them, they knew something about life and the laws of nature.

They gave 'em a certain, um, composure, which, uh, makes you elegant and fair. So from there became the, the, when the Catholic church so shows up, they thought, well, we can't have that because we are the church that you should be, uh, you know, being subject to, we don't want to talk about the fair folk, or the fact that they had magic and they knew the laws of nature and they did so many good things for the people that either we can't have that.

So the, the Catholic church mythologize the fair people into the fairy people. Okay. It turns them into invisible blood sucking little bastards. So, 

Kara Goodwin: but they really were physical like 3D They were 

Freddy Silva: physical people, 

Kara Goodwin: human form. Yeah. 

Freddy Silva: Uh, they were, they were taller than me. I'm six foot five. They were about, uh, seven feet tall back then.

And we have the giants graves all over Britain and Northern France bruise us, uh, skeletons up to eight and a half feet tall, sometimes with the elongated skull as well. And the red hair [00:45:00] and, and the blonde hair still attached. So they're physically, they're part of a divine bloodline that was already falling apart by about 3000 bc.

Uh, they also connected to the Egyptian bloodline at one point. So the Catholic church has a problem with this, and they basically made 'em into invisible blood sucking little devils in order to force people to come to church. Um, but no, the essence of the, the ferry people were still in the mounds themselves.

So here's the funny thing. The memory of these physical people is still in the mounds, in the stone circles and the standing stones of islands and other places. So when you communicate with the ferry people, you're actually communicating with the memory and the spirit of these magicians, which are still there in non-physical form.

So in, in a matter of speaking, the church actually made it easier for you to believe in fairies because there's an actual historical precedent for these people having been real. But now their specialty is in the other world, but it's, it, it connects with you at these special [00:46:00] places. So it brings up the joke of what that I keep bringing up, which is just because you're dead doesn't mean you can't be useful because yeah, you're not really dead.

You just move from one essence of physical, um, shape into a non-physical shape, but you are still there. Uh, you can't really call 'em ghosts. That's a, a very different thing. But, uh, you, when you go to these mounds and these stone circles under the right conditions, you will interact with 'em. Uh, and this is one of the reasons why I want to write portals.

The book, uh, was to tell people about all these experiences that anyone can have. Uh, just by walking in, putting yourself in a state of grace, not expecting anything in return, and you'd be surprised at what comes out of there. Even archeologists, uh, have experienced things in these Scottish. Sacred sites where they feel like they're being watched when they're doing these experiments with, you know, they're prodding electrodes into the stones and things.

And they said, we are being watched by people who are very curious about what we're doing. And a lot of 'em actually give up archeology and they become quite spiritual people. Uh, not that archeologists [00:47:00] aren't spiritual, but they've taken a different, they, they've taken the, uh, the right hemisphere path into, uh, um, the new age world.

Whereas before they were just into the left hemisphere of the brain doing all the mental thinking. Uh, no, they, they found out that there's more to the world than thinking your way through life because you, you really can't intellectualize this process very well. 

Kara Goodwin: Right. Wow. Well, thank you for sharing that and just wanna do a time check for you.

Are you okay to keep going? 'cause I think we were scheduled for an hour. Oh, sure. Okay. 

Freddy Silva: Yeah. 

Kara Goodwin: Yes. 

Freddy Silva: I'm having fun. 

Kara Goodwin: Okay, good. Okay. So when you talk about the, the fairies, I, I, it makes me wonder about. The part of the world where you're living now and where I am in North America. Is there any, um, correlation with that, with the migration of the, the Anunnaki for lack of a better term?

And what has, what was the fair where the fair, what were the ferry folk? Did they come over here? 

Freddy Silva: There kind of is the, um, the, [00:48:00] the fair folk or the two, uh, the two a, the danu, uh, or the, um, Anki used to be a part of a global civilization that was here at the end of the ice age and most of 'em died like most, um, human beings at the end of the ice age 'cause of the big catastrophe that happened.

And uh, but they were all part of a parallel civilization that lived here for. Tens, maybe hundreds of thousands of years before that. And any indigenous culture actually knows about this, but they call 'em by different names around the world, which is why we're never able to piece this story together. So when I was doing the research for the, uh, the, uh, the missing lands was all about locating these gods groups of gods around the world and where they lived.

And it was pretty successful. It was a 15 year project. It took a lot of hard work. Uh, but it turns out that the Hopi. And, uh, many other cultures that were here, uh, towards the end of the ice age. Also, remember these people by a different name. You just have to know what names mean. So you have to learn dead languages, as I call it.

'cause not many people speak Hopi. There's only [00:49:00] maybe 6,000 people left of the Hopi people. Uh, but if you get to know them well, and you should, they'll talk about when at the end of the ice age, when these big earth shakers hit the earth, which is their terminology for, uh, meteorites. They hit places on the earth where you don't want meteorites to hit, which is the ocean, which is why we get the great flood, or shall I say.

Masses of tsunami are going around the world destroying everything. So they're living in a place in the middle of the Pacific called skata. It's an island, uh, which many people believe to be Lemuria, but that's not quite true. Uh, Lemuria is almost like an invention of different islands, which now, uh, mostly under the ocean.

And East Island was one of 'em, by the way. Uh, and they said that there was a, uh, God man, okay, A god in physical form called au. And he was basically, uh, responsible for helping the Hopi go from island to island as the ocean is rising. To find its way up the Colorado River and eventually settled in the, uh, the free mazes where they lifted Le in [00:50:00] Arizona.

And I thought that's a great story because it's been committed orally for the last 12,000 years. And they teach this story to the young Lings. It's a bit like Star Wars. They teach the story to the young Lings for 16 days, uh uh, actually right about now in the middle of November, which is the 16 days it takes for the Earth to cross the path of that lovely meteor shower called the Torrid, which we're in right now as we speak.

That's what created the problem at the, of the flood, you know, of the end of the Ice Age and created the ice Age. It was the big chunks of the torrid meteor shower that actually hit the earth. And on the 17th day, everybody gets together and they tell about the story of creation of how they arrived in Arizona.

Well, I checked in with the origin of the name Masal, and I thought, does it mean something? 'cause back then words actually meant something. They didn't just give you a name, they give you a word to describe a certain story. Well, it turns out that Masa, the person is the name, [00:51:00] the original name of Mount Aara.

Well, where we find all the flood legends in the Juda tradition, in the Christian tradition of Noah. Uh, not his real name by the way. Uh, he was called something else over there. And that, uh, mountain is the most Holy mountain in Armenia. So we're back to that connection. So in, in a manner of speaking the Anki.

Were the people who were also involved in helping the Hopi get this to America where they are today. So there is an element of that, and the Cherokee have a similar story. When they were coming across, uh, central, uh, plains, they got to West Virginia and they bumped into a, a group of very tall, red haired, um, beings who are very, very tall and they couldn't breed with human women because they were.

Just too tall. The women gave birth to infants, so they had to stop doing it because they were, uh, you know, inadvertently killing the human women that they were marrying. So they lost hope. They turned to drink, uh, fighting. They knew that their numbers were up. They, they were a dying [00:52:00] race. And the Cherokee said, well, they once lived on a big island in the middle of the Atlantic Ocean that sang during a global catastrophe.

So we all know where that story comes from. And they knew about astronomy, mathematics. They were once a glorious civilization. So we took their information and we put it into the Cherokee tradition so they would never be forgotten. In fact, we named the river after them in their honor, called the, um, Allegheny, which flows through Pittsburgh.

And, uh, the name of the tribe was the Allahi. So that's where it comes from. So even the Dalai Lama, by the way, uh, my American friends laugh at me when I call Pittsburgh, a very important sacred place. They really just laugh at me. I said, no, trust me on this one. 'cause even the Dalai Lama, when he went to Pittsburgh, he said, this is one of the hot spots of the planet.

This is a very important spiritual place. So who are we to disagree with in Dai Lama? Right. 

Kara Goodwin: Oh wow. That's, so 

Freddy Silva: everybody goes to Pittsburgh right now after watching. Yeah, but I am serious. We actually found a, a brand new mound there. [00:53:00] Uh, it was on top of a hill, and I think it's in northern Pittsburgh. Uh, literally in half of a, uh, a circle of houses.

And the mound is still there protected by trees, and there's still people honoring the mound. We found little, uh, trails of, um, uh, of votives, uh, little prayer flags as well, so people know what's going on there, but it's not on the map. We found it by accident to add to the understanding of how important Pittsburgh is as a sacred site.

Kara Goodwin: Oh, wow. And I think around Boston, there's the American Stonehenge, is that right? I think Maria Wheatley was telling me about that. 

Freddy Silva: Oh, terrible name. You know, it's just around the corner from me, and I've never been there in 15 Really. It's a, it's the funniest thing. I guess I should go there because it's only about a, a couple of hours drive from me in Maine.

Um, but there may be something to it. There's, there's, there are some alignments. I do believe that people actually came here, uh, 3000 years ago and they settled in the, uh, around Massachusetts, uh, and also in New Hampshire and Maine. 'cause we had the big mound [00:54:00] here in Maine about an hour north of, uh, Portland.

And, uh, it had two. Entrances, which is very unusual for a big passage mound. And it resembles the passage mounds in Carac in France. Literally, it's the same culture doing the same thing. Uh, and it got taken down. It was used as, uh, the rocks were used for making a, I think I 95. Uh, yeah, because people didn't care in the 20 20th century about what they were destroying.

Uh, so there, there are vestiges, uh, here in New England, uh, of an ancient culture, but not much. Uh, the native people didn't build very much. They understood the energy in the land. They could see the energy in the land, and they knew that the land was sacred, but there were. Some places on the land that were more secret than others because the energy is much more profound.

Uh, the Hopi called it the spots of the fawn. They imagine the earth as a, as a deer, and the spots represent the places where on the earth, where there are hot spots, where the energy is much more profound, where you can feel much more tangible connection to the [00:55:00] other world. And, uh, so they didn't build stuff.

Uh, if you go to like New Mexico, just outside Santa Fe, hang out with, I just got back from 

Kara Goodwin: there. I went for the first time about two, six weeks ago. 

Freddy Silva: Yeah, I hope you went to Weathered Awa, which is the, uh, there's a, a hill called Kumu, and you'll get to the top. It's their, their portal and you'll be disappointed.

There's nothing there but a bunch of rocks. Yeah, because it's the energy of the site that's important. You'll pick it up. But when you go there as a group, it's really disappointing. You've climbed the hill, there's nothing to see. Well, what were you expecting? You know, a Stonehenge, uh, no, it's the energy that's important.

The, uh, the stones are just there to let you know there's something that's important when you can't see and you can't fuel the place. It's just a marker. Uh, it's the actual quality of the energy that's very important. So yeah, we still have that in this country. It's just being covered up because of the, uh, you know, the white folk, the wrong type of white folk coming in with a good white folk to, uh, north America who killed the [00:56:00] people who had the information.

So, uh, it is sad. Uh, and the, and it's, and the sooner that we write their information down for posterity, the better. 

Kara Goodwin: Yeah, absolutely. Well, thank you for all of that info. This is so fascinating and I, I want to be sure that we talk about the hidden side of Egypt, which is nicely aligned with this because they're, you know, it's a, it's a very similar time period, and I've always been fascinated with Egypt.

I haven't made it there yet, but what I loved with your series is all of the, I, I mean, I love so much about it, but the visuals, you know, getting to see the temples, it's like, I, I read about this stuff a lot and I, I'm familiar with a lot of the names, but being able to see them as you're talking about it really, really added something special.

And then the info that you bring through is just, 

Freddy Silva: oh, good. Beautiful. It was a labor of love. 

Kara Goodwin: I imagine there 

Freddy Silva: was nothing that was a bit different. Everybody's done Egypt. And it took me about, I dunno, three years to actually get off my, uh, my butt and do something. [00:57:00] Uh, because I didn't have an original idea.

I didn't have a a, an angle. And I remember the Heather Guyer talking to me saying, so how's the Egypt series coming along? We'll buy it. We'll buy anything that you do, which is a lovely compliment. Uh, I can sneeze and they'll buy it. Uh, and um, I said, well, it's, the idea is safely locked up in here is good keeping, which is safekeeping, which is ous euphemism for saying, I have no idea what the hell I'm gonna be doing.

And it's just, again, one day just having, getting away from the crowds and in Giza and just being away in the desert by yourself, which I totally recommend, and just listening to the building and saying, what's this all about? What am I missing? Um, what's the angle that I'm missing here? And then again, little image gets dropped into my head from the management.

It's like, well, why don't you look at it from the point of view of the people that built the civilization? I thought. Oh, we haven't had that angle before. And there's one book that's written in the walls of the Temple of Edfu called the Edfu Building Text, which, uh, an English academic finally translated.

And it tells [00:58:00] you the arrival of the gods in Egypt. So the real people, uh, from an island that no longer exists in the Indian Ocean called the Island of Fire. And it's linked to AKA by the way. That's a long story. Anyway, so the gods of South American and the Gods of Egypt are the same people, and it talks about the shining ones, followers of horror showing up.

At the beginning of the ice Age in around 10,500 BC and they're building the mounds upon, they said will be built the future historic temple. So they're already planning for the stuff that we see today. Uh, these, these temples are built like 12 layers on top of each other. What you see is not what you're getting.

There's lots of layers of previous temples, uh, in Egypt that you don't get to see 'cause they're covered with mud. So I approach it from their point of view. Let's look at the point of view of building Egypt from the people who built the, the, uh, temples in the first place. And the story just wrote itself.

Uh, the rest of it was me having to shoot the footage and making you feel like you're actually there. That was the hard part. The [00:59:00] rest was just compiling it and putting it together, but it was a labor of love and it's been very well received. So finally after five years, it finally got out. Into the world, and, uh, I'm pretty happy with it.

Beautiful. I'm really happy with anything that I do. 

Kara Goodwin: Yeah, really. 

Freddy Silva: No, really, I, I'm, uh, I'm, I'm hopeless to work with. I, I, I have a vision of what I want and how to put it together, and I'm very tunnel driven. Uh, once I've got that vision, I'm gonna go in that direction. It's, uh, it's a to thing. 

Kara Goodwin: Well, I thought your teachers from all those, all that time ago, were helping you work on that, your expectations.

Freddy Silva: Yeah, I do get some support. I do get 

Kara Goodwin: a lot, lot 

Freddy Silva: of help. I do give them credit because they do deserve the credit for putting the ideas in my head. Uh, I'm just the one that does all the physical work and puts it all together in the way that becomes, uh, easy to digest. Uh, that's the hard part. Uh, getting people in the 21st century to pay attention to important stuff.

And I don't wanna do fluff. I don't wanna do special effects and all of that stuff. I want things that make sense and have. You know, vital information, but it's still make it [01:00:00] approachable, uh, for a younger audience. That's the hard part. Um, yeah, so hopefully it, it, uh, it achieved its purpose, but so far no one's complaining, so I'm very happy with that.

Yeah. 

Kara Goodwin: Well, you know, it's fascinating. I love that you didn't use special effects because the, what? I didn't, uh, what I didn't realize having not been there, when you talk about these books that are in the temples, the writing that's on the walls, it's hard when you just have seen like. Pictures, you know, single pictures of, of the hieroglyphs or however we, that's probably the wrong term, but, um, because it is an, it's just columns and columns or even on the columns, it's just completely this, the writing that is on there.

It is, it's massive. It's, it's hard to get your imagination room. It's like, yeah, 

Freddy Silva: it's like wallpaper. Uh, there's one, one of my favorites is actually the Pyramid of Unes. Not many people know about it. It's off Sakara. Uh, you get private ticket to go in there. Uh, it's a short little entry where the guys buried [01:01:00] 400 miles away in the valley, the king.

So obviously it wasn't a burial place, but all the walls have been covered and they used to be in color, by the way, back 25 years ago when I first went in there, before they shut it down to do a bit of, uh, cleaning up. There was still color. In the hieroglyphs and on the ceiling. Now it's mostly gone because of the, uh, the vapor that comes from people going in there.

Uh, every single day. It's destroying the building. Uh, but it's all etched into alabaster, which is a very fine stone. And the, uh, the guard that's there, he knows me pretty well, um, 'cause I pay him a lot. Uh, he shines a torch into the actual alabaster and the alabaster becomes transparent. And you can see the actual outline of the Pharaoh himself.

Uh, it's beautiful, but it tells you all the spells and incantations that you have to remember for leaving the body while you're still alive. Going into the other world, having a chat with the gods, getting in important information and finding your way back into your. Living body, and then you get out of the box and you go [01:02:00] on having a nice, happy life.

They used to call it the Living Resurrection because no one ever died, uh, in a, in a, in the cru, in the crucifixion was a metaphoric state. Uh, even gnostic Christians know that, uh, the idea was hijacked by the Catholic Church into something that it is, it is not true. Uh, no one actually got physically crucified.

Uh, it was a, a metaphor to suggest a person that's being, um, elevated to the status of enlightenment. And they're now metaphorically nailed to the four elements of matter, which is the cross, you know, earth, fire, air, and water. That's what it means. Uh, so, and the, and uh, the Maya knew this 8,000 years ago, by the way.

So when Jesus, the story ends up in the, uh, in Mexico, they just yawn and said, we've got an older version of that story. Uh, and that's what happens in the, uh, uh, pyramid of Unes, all the telling you how to enter and leave the other world whenever you want. So it's a very important place. 

Kara Goodwin: Right. Yeah. Well, and you know, through the imagery [01:03:00] of what you captured in the documentary, you can also see, and you talk about how sometimes there are different symbols or, or whatever the correct word would be, but there are deeper than the other ones.

So it's other, yeah. You know, it's the rewriting, it's other leaders coming in and, and changing the story and or telling their story on top of another story, which I had no idea that that was something that happened there. 

Freddy Silva: It's pretty funny when you see it close up because, yeah. 'cause the beautiful ones that the, uh, the, the, there's when the hark lifts and the image caught in relief, so that takes a lot of work because you have to have a large rock and you have to take away most of the rock to leave the relief.

Uh, that's a huge amount of labor and you have to paint it. So the Temple of Hatch, Sheard has those, uh, some of the most ancient places have those, but then the next guy comes along and thinks, well, I, I want, uh, the, the information's here but hasn't got my name on it. So you'll get a stone carver to literally [01:04:00] shave the, uh, the actual hi glyphs back to Natural Rock.

And then you can, uh, carve your own symbol. But then the next guy comes along a thousand years later says, well, no, I don't like that story. It makes me look bad like I'm a wimp. And the story gets, get carved deeper and do even to the point where. At, uh, the tooth motion is the third, uh, temple. Uh, at Madine Habu you can put your entire fist into the entire ha glyph.

The wall literally is falling apart 'cause the hag glyphs are nine inches deep because they had to re carving the next story by the next depo to make him look better than the previous guy. So it's kind of comedic in that way, but when you see them in relief or just very subtle, that's one of the original sites and the original temples Beautiful to look at.

Kara Goodwin: Yeah, it's amazing. And I love how you, you took the approach with this series, as you mentioned, of telling the story from the creators. And you've kind of alluded to this, but as I was watching the series, I was, [01:05:00] the question on my mind is, is the why because it's such. It's such a, an advanced technology.

It's so permanent. It's ancient. It was a lot of work. I mean, I assume it was a lot of work. I know there are different theories about how it actually happened versus the mainstream story. And, you know, we'll get to, you've, you've mentioned a little bit too about the resurrection and the, you know, the, that they weren't, um, places of burial, like the, the mainstream conventional wisdom, I suppose.

But when I think about traversing consciousness, you know, it's so, it's such a passion. It's such a, it's so deep and dear to my existence and, and so core to my, my interests, but it's also, I. I suppose like, it feels like a nice to have in some ways. You know, it's [01:06:00] hard for me to imagine that et races or advanced beings would go to all of that effort to kind of gift that ability for humanity.

That may have been like a, a, an easy thing for them to do. 

Freddy Silva: Yeah. 

Kara Goodwin: What are your thoughts about the why? 

Freddy Silva: I just put myself in today's shoes. Uh, if we go back 12,000 years ago, and there's a parallel civilization that really didn't wanna hang out with humans at all because they understood, like we do today, if we go to some Virgin Forest in the middle of Borneo and we accidentally bump into a tribe that's still walking around naked, we are going to, uh, prejudice and influence the direction of that tribe.

And it has happened before. Uh, and the, and the, the results are usually disastrous as well. Uh, people need to develop at their own pace. But when you have a catastrophe like the ice age and the great flood. You are forced to admit that a, most of the gods are gonna die. Uh, even though they were gods, doesn't mean that they did not succumb [01:07:00] to, also to physical folly.

And they did. And a lot of humans died as well. So the survivors have basically a destroyed landmass. And you have one group that knows a lot about the laws of nature. And after one thing that I heard from every indigenous culture around the world, the difference between us and them is that they knew the laws of nature and how to bend the rules.

Uh, they could make it rain when it was, uh, you know, when there was a, a drought. Well, we know that can be done in the Amazon and also in New Mexico with the rain dancers. And yes, you will get to rental rain within an hour. And that has been proved. Uh, so they knew had to work with the laws of nature, so they figured you have a decimated planet and a decimated human culture.

Uh, we have to basically, uh, recognize that our world has come to an end. There's not many gods left. Uh, so now we are going down and humans are on the ascendant. So let's give him the accoutrements of civilization to give him a little hand. Up and then we are gonna go back into the shadows and disappear.

And that's exactly what happened. Um, they basically just [01:08:00] gave us the, uh, the ability to understand how to graph plants so we can make bread, uh, we can, uh, basically squeeze the tea of that big animal that says Moo, and we get milk. Uh, we get, uh, mathematics, astronomy. And they all happened exactly the same moment around the world in eight and a half thousand bc which is just after the end of the ice age.

So these stories connect. Uh, and uh, one of the things that I read in the Temple of Fu was that, uh, we have come in during the, um, the Ice Age to Egypt, which is one of the few places on the planet where that was actually hospitable to life in the middle of an ice age. And they said, we have come to rebuild the former world of the gods because they knew part of the world had already been destroyed by the meteorites that created the Ice Age.

And they knew from watching the sky that the same problem will be coming upon them 900 years later. And it did. It's the same culprit, always, always a oid meteor shower. Uh, so that's why they were great astronomers. They wanted to find out where the earth is in space relative to [01:09:00] what's happening around space so you can prepare.

You have hundreds of years to prepare. So they left us this legacy to show that yes, if you live in harmony with the sky and the earth, you can never go wrong. Uh, if you go to these places where the, the laws of physics as we understand them behave slightly differently, you can connect with us shamanically, because we don't wanna come here to earth anymore.

We've already been it. We've done it. We got hurt. We also died. We've gone back to where we came from, uh, which brings up the whole ET connection, which is yes and no. Uh, there are, yes, there are ET races here that always have been, uh, you can go to anywhere in Central America, they'll just. Raise their idols and go, of course there are, we, we talk to them every three weeks.

They come here for tea. What's the big deal? Um, they just don't talk to a lot of the, uh, the white folk because we didn't just shoot them. So yes, they go to where they are. Welcome. I mean, that makes perfect sense to me. Uh, so the idea was to rebuild the former world of the gods and, uh, [01:10:00] recreate the perfection, uh, uh, on earth when everything else is laid waste.

So when you get to a temple, uh, let's take Egypt, since we're in Egypt. You walk to the site and you go, that's absolutely perfect, and you see this building and you go, yeah, it is perfect a. Because the temples are built on the laws of nature, the mathematics of nature, the geometry of nature. You can't see it, but you can sense it, uh, like, uh, you don't have to be a mathematician to work out that the portal that you are walking through in the front door is the exact, uh, ma, uh, the, the exact length of a double octave in the music scale.

But you can sense there's a harmonic there that your eye appreciates and your body reacts to. So you, the temple literally is designed to elicit a certain state of mind, a certain state of consciousness based on the elements that we used to plant it out. Uh, that's why these places feel and look perfect because they are, they're a perfection of the mirror, image of the sky.

And if you walk in there with all your issues and all your problems. And you [01:11:00] go there and a set of grace, you walk out upright. Okay? You walk out like a shining person with that glow about you because yeah, you've taken on, uh, the persona of the temple and suddenly you realize, oh, I can do this. I can go through life for another week without being subjugated to hate evil and all the other problems that we face every day because I feel I'm connected with the temple.

I have become the temple, and I recognize the temple within myself. So boom, I am now in charge of. What I allowed to hurt me and what I allowed to make me laugh. Uh, and that's the center of any, uh, spiritual development class, which is understanding who you are as a spiritual being and being controlled a hundred percent of the time, 24 hours a day.

So the temple that they were building was based on these principles that were now going underwater, uh, in the, during the ice age. And they're very clear about it. Uh, you know, we've come, we are building this, uh, temple, and this is true of the May as well. Um, ti uh, means, uh, is not just a place name. [01:12:00] It means the, uh, the place that we are human comes to become a God.

So the temple literally is designed to make you become as a God or as a bright star, uh, as they call it in the old days. So you become the very thing that you're looking for. You know, we all complain when the God's coming back. Uh, where can I read about the gods? How can, how can I be a God? Well, you already are a God.

You were born a God. You just get talked out of it by religion. Your parents, your siblings, everybody else thinks, oh no, you don't see fairies. You're not a God. These are invisible things. No, you are the very God that, uh, you're looking for. So you don't have to look out there. You have to look inside. In fact, I remember a guy called Jesus Christ saying the same thing, didn't he?

Uh, the temple of God resides in here, not out there. It's in here. So in a way, they're just building these temples to remind you of what you can do by yourself. 

Kara Goodwin: Yes. Oh wow. I love that. And you, you know, you refer to the Shining ones, which reminds [01:13:00] me that, I don't know if you remember when I first met reached out to you, but I was watching, I think it was Megaliths, or, no, actually it was one we haven't talked about.

It was the Scotland one. There's a, there's another one about Scotland, right? Specifically. 

Freddy Silva: Yeah. 

Kara Goodwin: And you were talking about the Shining ones, and you said something about they had put, I think you'd said they put an oil on their skin. Yeah. And I had just the night before, again, my third, I was going nuts when you started saying that because I had had a dream the night before that had stuck with me all day.

And I had been preparing for a trip to Tibet, um, in my dream, and I needed to get two oils. Um, in order to, that was part of the preparation. I had to find two oils. And the next thing I knew, I had these henna tattoos all up and down my arm. And I, and the oil was suddenly on my arm and they were glowing.

And I was like, you know, just kind of stunned. And that was a big part of the dream that stayed [01:14:00] with me. And then you're, and then I'm watching this. This documentary that I just picked out. Uh, you know, I, there was no real reason and I've watched so much of your stuff and I've thought, oh, I would love to have him on the podcast.

I'd love to talk to him, and I just have never reached out. And then you start talking about the shiny ones in this oil that they had on their skin. I was like, and my third eye's just going nuts. And I'm like, oh my God. Okay. I'm, I don't care. I'm just, I'm pausing it and I'm gonna invite him. And, uh, but anyway.

Can you please talk about the shining ones? Very 

Freddy Silva: interesting people. They're still here in, uh, non-physical form. I mean, I, I didn't realize who they were, uh, when I first interacted with them, and I wasn't looking for an interaction. I just wanted to find out more about how sacred Space works. So my experience in the crop circle, and that's also the watchers who are also the shining ones.

Kara Goodwin: Uh, is that the same as the management? Uh, 

Freddy Silva: it's the same as the management. Uh, okay. Yeah. They all have different, uh, euphemisms, but it's the same people essentially. But in terms of [01:15:00] history, uh, the watchers who are the intermediaries between the unna and human beings, uh, because they can only watch, they can't intervene.

Although, unfortunately, a small group of them want did intervene in human affairs, and it didn't, it didn't end well. And that's what precipitated the great flood and the stories about the fallen angels and all of that. That's where it comes from. Oh, but every, every watcher gets painted and tied with the same problem.

And we didn't know why. They, they defied orders. We just have no information. But their nickname was the Shining Ones, uh, because they had a problem with sunlight. They were very light skinned, uh, uh, almost at a point where the skin was almost translucent. They said, uh, so they had to smith themselves with this oil, which gave him a shining appearance.

And when, uh, a man, uh, scribe called Ed, I knew his writing down their. His interactions with this unusual group of people up in the mountains in Armenia. Um, he said, yeah, the reason why we call 'em the Shining people was because they had a, they looked like they were shining. They were smearing oil of them like [01:16:00] sunscreen, but also because they were so intellectual and so way ahead of hunter gatherers that there was a certain demeanor about them.

Uh, you know, intelligence and, uh, learning gives you a certain glow. That's where the word shining comes from. There's a certain demeanor about you. Uh, it's a bit like the old saints that they had. They're painted with this aura around them. Yeah, because they've learned spiritual teachings. It gives you a demeanor.

Uh, and that's where that halo comes from when you see pictures of, uh, in the Greek Orthodox churches of the, uh, of the holy people. Uh, even Krishna has a halo around them as well. So that's where it comes from. But they are. Essentially the nickname of the gods around the world. So in South America, when you talk about Viko, who shows up at the end of the ice age to rebuild what was already built in the Andes and Ti Aku, which means, by the way, the pit, the City of My Shining people, uh, uh, Aku is an Egyptian phrase, not an on and Dian name.

And, um, I asked my Ian Guide, who's an Iara, uh, [01:17:00] one of the oldest people on the planet, he said, uh, so tell me more about Vida Kasha. I said, well, he shows up here at the end of the ice age to rebuild the city of Tiwanaku and Ku, uh, which is already 6,000 years old by the time he arrived. And, uh, said, yeah, he had seven helpers with him, seven high high ti.

And I said, does that mean anything? He says, yeah, it means my, uh, shining ones. I said, well, Edgar, do you realize that you've just described the gods of South America in the same way that they described in Egypt? And he had no idea that there was a connection, but, but he did say, but we knew that the Egyptians were coming here for a sailing from Egypt all the way to here from another land that's now lost, uh, for a long, long time before the flood.

And that's why there's Egyptian language in South America. So the shining ones were also responsible for, uh, rebuilding, uh, the, uh, the devastation that happened in South America. At the end of the ice age. So, uh, and there's all seven of them. A GA with one [01:18:00] charismatic leader who happened to be married to the only woman in the group.

She's the most important person. She's carrying the bloodline of the group. And the other people are like architects, people who do planning in terms of structures and sacred space. They know about healing, how to, uh, potent size water and also know how to grow crops. So the people that you need to start things, uh, from a, uh, devastated planet are exactly the right people that you want with you.

But you hear this story in Central America with, uh, Al and Itna three, uh, three other gods who also had seven helpers, and they're the shiny people, uh, or the people of the serpent was the other, the nickname that they had because they can control the laws of nature. And the laws of nature are the elector of magnetic currents, the flow through the land, electricity, and magnetism.

That's why. The people of the serpent are the badge of office. They know how to manipulate electricity and magnetism. Uh, they appear in China as well. They appear in Japan, uh, throughout Easter Island and even in New [01:19:00] Zealand. They're also known by the same, uh, name, uh, by same nickname, but there they're called the Uru.

So we're talking about an academy of people that lived around the world in eight different locations. Most of 'em have now gone, they at least live on the islands, which are now sunk. Uh, but they used to, their point was to go around and spreading civilization to humanity and teaching us the higher aspects of ourselves so we can stop living like animals and behave and develop civilizing behavior.

Sometimes it works and sometimes it hasn't. But I think without their knowledge that the, uh, earth would be a very different place than what it is today. 

Kara Goodwin: Well, so where, where did they originate? 

Freddy Silva: Ah, that's the big question. Uh, I, by the time I finished writing The Missing Lands, the book was really very thick and I thought, I gotta leave it there.

Time to go off and have a cup of tea, have a drink at the pub, and try something else. Uh, yeah. 'cause there's so many, only so much you can write. And then I was looking at all my notes and the one thing that became very obvious was that every culture talks [01:20:00] about Orion. And I thought, that's weird. Why is Orion so predominant in every culture?

And you go into the research and you, you find out that yeah, all the gods came from Orion originally. We dunno how long ago that was. Could have been a hundred thousand years ago. We just don't know. Uh, so, and at one point I also heard that humans at one point also came from the belt stars of Orion. Uh, so I began to gather the information and I put one on one together.

And again, you gotta understand, these are missing pieces from every culture. Every one of 'em has a, a whisper or a paragraph of this. And I have to go around collating everything. And seeing how the story comes together and slowly it does. And it's a work in progress. So to narrow it down into a small conversation, it turns out that the Japanese and the Maya people have exactly the same point of view.

That it's not just the belt stars that are important, it's the fact that from Earth you can actually go from earth to the belt stars using these [01:21:00] invisible magnetic tubes, which the Indian people knew about, uh, 10,000 years ago. And they've written about it. And which NASA, by the way, had discovered in 2004, they call them the magnetic portals, is that 

Kara Goodwin: they go 

Freddy Silva: the earth and they go all the way to the sun and they open and close something like every 15 minutes.

Literally they called them port NASA called them portals, and they said it goes from the earth to the sun. Uh, and they probably goes beyond that. So that's what the ancients were using to go from A to B, whether physically. Or Shamanically, uh, 'cause I've heard this story as well. Uh, and they said, but that's not the end of it.

The belt stars is like a junction. From there you go to other places in the universe, you go to the play these, you go to, uh, Sirius and so forth. But they're very adamant in Japan and in in the Maya tradition that the place where all this comes from is a place in the middle of the south, part of the Orion constellation.

And it's a nebula called the M [01:22:00] 42 Nebula, not very romantic, they call it in Japan, the heart of the sky. And in the Maya tradition is the half of the sky. It's a place that gives birth to everything, including the gods and human beings. Well, in comes NASA again, and they said, well, now that we have the Hubble Space Telescope, we can see deep into everything.

And we were amazed to find that the biggest star forming region of the entire galaxy. Happens to be M 42, which is that big red streak, that cloudy thing that you see in the lower part of the, uh, Orion constellation or the northern part. If you're in the Southern hemisphere and you were watching this, uh, and you can see it with your naked eye, it's the biggest star forming region of the galaxy.

So how did Japanese know this and how did the Maya know this? Because this is where they say that all life comes from here. So when you go to Japan and you go to their sacred sites and you go for the big Tory gate or the big Tory arch, [01:23:00] that's exactly what they're doing to mimic what's happening in the sky because the crossbar on the Tory gate mimics the free belt stars of Orion lined up in a row.

And when you walk in through the gate, your heart literally goes in from where M 42 happens to be up in the sky. So they're making a point of letting you know your terrestrial connection to a place where you came from. Uh, and I put this into a, a video called Orion. The origin of the Gods question mark.

'cause it's still an ongoing project, but it's all based on indigenous traditions. 

Kara Goodwin: Wow. In, in the hieroglyphs, in, in Egypt, is this related to that like long light bulb looking hieroglyphs? 

Freddy Silva: Oh, I don't know. That's, uh, the light bulb. There's not a light bulb. No. The light bulb is actually, um, if you look at it very carefully, and I've done this about 20 times, uh, and you get a special ticket to go down into the light bulb at Denver.

There's several of them actually. There's not just one light [01:24:00] bulb, there's a lot of them. The the walls are, are hollow in that building. And, uh, the light bulb is actually, uh, it's an initiation chamber and it's actually a lotus flower. And it's the aura that comes from the lo the blue lotus, And, um, the snake that comes out of the lotus.

Is the energy, uh, that's given to you when you ingest the Blue Lotus. Uh, it's their, it was their plant of choice for having a near death and a shamanic experience in the Egyptian temples. the Greeks called the process incubation, uh, because they rebuilt the temple of Denver and they wrote, uh, the information on the actual crypt.

So that was a place where they actually practiced the out body ceremony, which we call Raising the Dead. 

Kara Goodwin: Wow. No, the. The blue lotus, is that different from, I remember you saying a blue water lily in the 

Freddy Silva: document, the blue water lily as well. 

Kara Goodwin: Is it the same thing? 

Freddy Silva: It's they're genetically, uh, linked together.

Okay. Yeah. All chemically linked together. It's the [01:25:00] same thing. 

Kara Goodwin: Okay. 

Freddy Silva: Um, same, yeah, same thing that you'd use in Syria, which is they used the Syrian roux for the same experience. Uh, so they're the same hallucinogenic, but the way they mixed it, it became a poison, which means that, uh, when you take it three times during the day.

In a highly diluted state. We just dunno what the dilution was. It, uh, went to the death with the priests, um, because it can be deadly. Uh, it induces a near death experience. It's very dangerous to do, uh, still practicing Guatemala to this very day. Uh, but you have to give at least eight months of your life to do it properly.

It's not a weekend thing on Ayahuasca 'cause you literally will die and you leave the body and you. You're away with the management for three days and you come back three days later and you declared risen from the dead. Uh, so if you do it properly, it's one of the most, um, life altering experiences, uh, that you'll ever have.

In fact, philosophers like Plato and Phares talked about it at length, uh, in their journals that took about, there's no other experience that [01:26:00] will, excuse me, that will approximate, uh, reality and truth and, and real knowledge because that's the only place where you'll find it is in the other world. And the way to reach it is through this very dangerous process.

And, uh, pyres actually did it five times. Uh, he was a junkie for this stuff, and it shaped his metaphysical doctrine and also his view of mathematics. So he went to the other world to find out how do I explain mathematical concepts to idiots? Uh, so he had this wonderful experience, left the body, went to talk to ancient mathematicians, comes back into the body and goes.

Hey, I've got a mathematical proposition for you. Yeah. 'cause he wasn't the first one to come up with this stuff. The Egyptians were, uh, he was borrowing from them, but he was also extending the, uh, Pythagoria model because of his experiences of getting information from the other world and bringing it into this lifetime.

Uh, Leonard, Leonardo da Vinci also, uh, did his process, but he kept very quiet about it. Uh, he alludes to it in his ma in his notebooks, uh, [01:27:00] because if you talked about this opened in his lifetime, you'd be burnt alive at the stake. 

Kara Goodwin: Wow. 

Freddy Silva: Yeah. So it's very important material. Yeah. 

Kara Goodwin: Wow. That's amazing. Um, I'm gonna try to make this the last one.

I'm so grateful for your time. Thank you for hanging in here. Um, I'm remembering in the, in the portals book, I think that the word was Dole Knight. That was the 

Freddy Silva: Dolman 

Kara Goodwin: Dolman, is that the same as what you're talking about in Japan, where they've got, because it was the top of the Dolman, is that also related to Orion's belt?

Freddy Silva: Yeah, it, not necessarily, uh, but the, the shape of the Dolman, uh, which is essentially at, its very, uh, primitive. It's, uh, three stones with a capstone lying at an angle. Uh, but it essentially, that's the center of a passage mound where the earth is now eroded. It's actually a three dimensional interpretation of the Tory gate.

Uh, 'cause most of the dormant tradition comes from Korea, by the way. Oh, okay. Because concentrations of doormans, [01:28:00] uh, in the, on the planet is actually in the Korean peninsula. So the idea moves. With the gods of Japan. At the end of the flood, they, uh, they, they used the Tory Arch as a two-dimensional representation of a three-dimensional concept.

And then in Korea, when they were doing that in, in stone, they would take the three-dimensional idea as an actual mound in order to get you from here into the other world. So the concept is the same. Uh, and then it migrates across Siberia, uh, all the way over to Western Europe, where, and Portugal, Kotlin, and also Karnak.

So it's the same concept, uh, but it doesn't, it doesn't always add up to Orion. It depends on what the purpose of the temple was. Sometimes there is just a line to the Winter Salter sunrise or the Equinox, sunrise. Or the passage of the moon. Uh, and then sometimes it's aligned to also to Orion. Uh, and I brought, I brought that up in the, uh, the video mega lift as well.

A lot of the places in France, a lot of the, uh, the passage mounds and several of the almonds do actually [01:29:00] commemorate the first time that Orion rises in that part of the world, uh, around 6,000 bc which is when the Armenian people and the Sian people are moving across to that part of the world. Uh, so there is a connection, but, uh, the domers themselves, they're aligned to different things depending on what the purpose of the domin is for.

So it could be for healing, it could be for information, it could be just a place of gathering for the wisdom keepers, or it could play a place for death as well. Uh, only about 10% of these places are actually used for a few Neal purposes. And even so, they were done posthumously. So the temple has reached the end of its, uh, life cycle, and there's some important person that dies and they figured, well, we've already had a mound.

We have the passage. Put the dead person in there, seed it up, and then we'll build another one. Uh, but the archeologists have basically mistaken that as every doman was used as a, or a passage, man was used as a place of burial. No, the, the, uh, actual people that are buried there are much younger than the actual temple itself.

So it tells us that [01:30:00] the temple was used for other purposes until it was finally reached its end of its, um, uh, functional life. Uh, by which I mean that the alignment of the temple, uh, thousands of years have gone by, and the alignment to which it was done is now wrong. Because the earth and the processional cycle puts things in wrong places every 2000 years or so.

So if the man has been there for 4,000 years, the original purpose of its alignment is now way off. It's just now a beautiful collection of stones. So they figured, well, it's, it's here. It's an important monument. We'll just seal it up and we'll put a dead guy in there as well. 

Kara Goodwin: Oh my goodness. Well, Freddy, I, I'm so grateful and I feel like thanks for 

Freddy Silva: having me.

Kara Goodwin: I could ask you a thousand more questions, so I'm just gonna have to decide that, you know, you have to have the rest of your day. 

Freddy Silva: Oh, it's lunchtime. Yeah. 

Kara Goodwin: And we started at 3:00 AM Um, but it time has flown [01:31:00] by. I hope you'll come back. I'm so honored that you've been here. Thank you so much for your work.

Thank you for being here. 

Freddy Silva: Thanks for having me. Good luck. 

Kara Goodwin: Thank you. 

Thank you so much for joining me for this episode of Soul Elevation. If someone in your life would be inspired or uplifted . By what you heard today, please take a moment to share it with them. These are the kinds of conversations that ripple out and elevate collective consciousness, and if you haven't yet, be sure to subscribe so you don't miss the powerful episodes ahead.

Your presence, energy, and support truly help amplify this mission of raising frequency and anchoring in a more awakened humanity. Thank you for your support and I look forward to the next soul elevation. 

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